This week, we’re joined by tech journalist (and former The Drill Down co-host) Tom Cheredar, as we discuss: Taylor Swift tells Apple Music ‘we ARE getting back together’, French cab drivers are revolting, Netflix is about to be bigger than networks, A.I. sasses back, a real GIANT ROBOT DUEL!! … and much much more.
The future of television is an uncertain one, and things have just got even more unclear. Recent figures are showing that 150,000 US citizens decided to cancel their pay-TV subscriptions and move to on-demand services such as Netflix and Amazon Prime last year. Meanwhile, companies providing pay-TV packages are reporting that subscriptions are down by around 25,000 compared to previous years. It continues to show a trend of people cutting the cord and moving away from traditional methods of TV distribution, instead embracing the new online model being driven by certain tech giants. Continue reading →
This week, Chinese hackers infiltrate The New York Times & The Wall Street Journal, hackers expose 250,000 Twitter accounts, Oreo leverages the Superbowl blackout for a terrific example of social media marketing, is Netflix’s full season release schedule for “House of Cards” the future of television…or a big mistake, will your body –or any biological organism for that matter– be the next unlimited storage device, and if you thought J.J. Abrams hit the motherlode last week for helming both Star Trek and Star Wars franchises, wait’ll you hear this week’s news.
The finale of ABC’s six-year-long castaway saga, LOST was expected to bring in a record audience share. The ads were pre-sold at $900,000 per 30-seconds. When so much money is riding on getting a TiVo ad-skipping audience to stop and take a look at what you have to sell, how do you glue those eyeballs to the screen? Target Brands, Inc. seems to have hit the, um, target by catering directly to LOST’s hardcore fanbase with a handful of custom ads. These advertisements, directed by regular LOST director Jack Bender, incorporate themes familiar to LOST fans such as the smoke monster, the Swan station computer, and hunting the local island fauna.
These ads are prime examples of how to effectively market to a very niche audience. Advertisers who want to stop ad-skipping viewers dead in their tracks can take a lesson from Target.
Kentucky Fried Chicken also rode LOST’s coattails early on. This ad aired nationally during the height of LOST’s first season.
And here’s Bud Light’s take on the LOST meme:
UPDATE: According to ratings researcher Nielsen, “nearly 90% of the national advertisements aired during the telecast achieved higher brand recall in the finale, compared to their average in other primetime programming”, and in particular, the Target ads “captured the strongest Net Likeability of any ad in the show – nearly quadrupling the average of all other spots in the telecast.”